Category Archives: Helen King

Fear of flute girls

 

Phobias go back a long way. They are fears that can be very debilitating, and although sufferers know that the fear is irrational and excessive, the phobia can be very difficult to overcome. Sometimes phobias seem to have been constant over time. An example would be gephyrophobia, ‘fear of bridges’; yes, the Greeks had a word for it, and this label simply means, er, ‘fear of bridges’! This is found today and featured in a BBC TV series of the 1990s, GBH, where the character played by Michael Palin was a sufferer.

But the condition also features in the ancient Greek collection of case histories, Epidemics, traditionally associated with the name of Hippocrates and dating back to the fourth century BC. The sufferer was called Democles and he had panic symptoms so bad that, even if the bridge was not very high – just over a ditch – he had to get off and walk through the ditch instead.

When Democles turned up to see the physician who recorded his story, he came with a friend, Nicanor. Nicanor had a rather less common phobia – fear of flute girls. When he was at a symposium – an all-male Greek drinking party for around 14-30 men – and he heard the flute girl start to play, he became ill. No explanation is given in the original text for this, but perhaps we can make some guesses.

Flute girls were part of the entertainment at these parties. The partygoers were expected to drink, to discuss the meaning of life, to make up poems and songs, and also to have sex with the entertainers. There was plenty of opportunity to lose face in front of your friends and peers. The flute girl started to play when the drinking began. Her instrument, the aulos, was more like a bassoon in terms of how it is played. The Greeks associated it with madness, and loss of self-control.

Perhaps Nicanor had had a bad experience with a flute girl, and the music brought it all back. Perhaps the whole competitive male context of the symposium was just too much for him. Or perhaps he expected the music to send him mad – and it did.

 

On the symposium, see Oswyn Murray (ed.), Sympotica. A symposium on the symposion (Oxford, 1990)

If you want to hear an aulos (be careful!) you can hear its sound on http://www.oeaw.ac.at/kal/agm/

Image: wikimedia commons: attributed to the Brygos Painter

 

 

 

 

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Where’s Hippocrates?

By Helen King (W&M Monthly Contributor)

Do you know the ‘Where’s Wally?’ series (in the US and Canada, ‘Where’s Waldo?’)? Readers are faced with a busy scene and are asked to find Wally, distinguished by his red-and-white striped shirt, bobble hat and glasses.

I’m Visiting Professor at the Peninsula Medical and Dental School in Truro, teaching fourth-year medical students about the history of dissection. Last week, we were looking at Vesalius. The title page of his huge book, De humani corporis fabrica (On the Fabric of the Human Body), published in 1543, has perhaps the most famous image in the history of medicine: a crowded scene of people watching a woman being dissected.

My students asked, ‘Where’s Hippocrates?’ Vesalius himself is there, bearded, one hand on the cadaver, his eyes partly on her and partly on us. While we know that dissections in this period in Italy were very popular, attended not just by medical students and physicians but also by the paying public, this picture isn’t entirely giving us a ‘real’ event. One clue is the naked man clinging to the pillar on the left. Is he be the next person to be dissected? Or does he represent one way of looking at the body, namely ‘surface anatomy’? This would make the figure opposite him on the right, showing off his fashionably-slashed doublet and hose, ‘muscular anatomy’.

The other fantasy figures are the larger-than-life ones dressed for a toga party. Two look over Vesalius’s shoulder. The third is apparently speaking to a man who is bringing in a dog. We know that Vesalius did public dissections of dogs if no  criminals had been executed. The two closest to Vesalius may be Herophilus and Erastistratus, from third-century BC Alexandria, the only men in the ancient world who regularly worked from human bodies. The man on the other side could be Galen, greatest physician of ancient Rome, in whose work Vesalius said he had found over 200 mistakes. Vesalius also talks of Galen as ‘deceived by his monkeys’, thinking that humans were just like them – can you see the monkey on the far left?

But where is Hippocrates? Surely the ‘Father of Medicine’ should be here to see Vesalius strut his stuff? Or maybe not. Hippocrates is associated with bedside medicine, and healing living bodies, not learning from dead ones. In the controversy over human dissection, maybe Hippocrates just wants to stay well out of it.

For the text of Vesalius, and a useful introductory essay by Professor Vivian Nutton, see http://vesalius.northwestern.edu/

 

Helen King is Professor of Classical Studies at The Open University, Milton Keynes. Her interests cover the history of the body, gynecology, obstetrics and the classical medical tradition.